If you ever really cared about Ken, you would know that nobody cared about Ken.
Like you ever thought about Ken before this?…suddenly, it’s like, ‘No, we’ve cared about Ken this whole time.’ No, you didn’t. “It is funny, this kind of clutching-your-pearls idea of, like, #notmyken. “I would say, you know, if people don’t want to play with my Ken, there are many other Kens to play with,” Ryan told GQ. After some haters thought Ryan was “too old” to play Ken, Ryan had the perfect (and most Ken-like) response. Throughout the Barbie press tour, Ryan has been exuding so much Ken-rgy. Ryan Gosling as Ken in the ‘Barbie’ movie. Ryan’s co-star and Barbie herself, Margot Robbie, rocked a black strapless dress inspired by the 1960 “Solo in the Spotlight” Barbie doll. The La La Land actor looked handsome in a pink suit and wore an “E” chain necklace in honor of his longtime partner Eva Mendes. Ryan, along with the rest of cast, celebrated the film at the Barbie world premiere in Los Angeles on July 9. 1961), a short film combining photographs and audio fragments from audio tape. He just went in and as he started to get warmed up I was like, ‘This guy is going to murder this song!’ Of course he would.” A Movie (Bruce Conner, 1958), a landmark experimental film assembled from. “ a huge star of this movie and only has three hours on a Tuesday afternoon to cut the vocals. Mark Ronson, the Barbie soundtrack producer, revealed that Ryan recorded “I’m Just Ken” in only a few hours. Margot Robbie Channels The ‘80s With Totally Crimped Barbie Look: Photos Margot Robbie Channels Iconic 1960 Doll In Strapless Black Dress At The 'Barbie' World Premiere 'Barbie' Movie Premieres: Photos Of Margot Robbie, Ryan Gosling & More Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara The Miracle Man (1919), with Lon Chaney He Comes Up Smiling (1918), starring Douglas Fairbanks an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928. Search Hollywood Life Search Trending Navigation Trending Molly was also recently selected as a 2021 Screen Producers Australia Ones to Watch.Latest Hollywood Celebrity & Entertainment News Primary Menu Menu Close Menu In 2021 Molly joined the team at Film Camp as a recipient of Screen Australia's Enterprise People Program, working across our slate of documentary and narrative projects. Most recently Molly produced INCONCEIVABLE, a half hour documentary for ABC’s Compass program and BIOPIC, artist Madison Bycroft’s micro-budget, experimental feature film, commissioned by the South Australian Film Corporation and Samstag Museum. In 2019 Molly was Assistant Producer on feature documentary TELEVISION EVENT, selected for the 2020 Tribeca Film Festival. Kilda Film Fest) with emerging director Zibeon Fielding and RUNNING 62: THE ARRIVAL (Adelaide Film Fest Investment Fund) an accompanying VR documentary, directed by award-winning documentary director Madeleine Parry. In 2018 Molly produced the short documentary RUNNING 62 (Adelaide Film Fest, St. Molly O'Connor is an emerging producer, coming from a visual arts background she began working in film in 2014 and has since gained production experience across theatrical, broadcast and online projects. She is an external assessor for various state agencies and regularly a juror for the AACTA Awards and other Festivals. Philippa was awarded SPA's Independent Documentary Producer of the Year (2008) Film Victoria's Greg Tepper Award (2009) and is an inaugural recipient of Film Victoria's Natalie Miller Fellowship Women in Leadership (2016). Her other films have won awards at AFI Fest, VRDays, Thessaloniki, FIFO and Seminci Valladolid, and have screened at over 100 festivals in the world including Venice, Sundance, Cannes, Telluride, True/False, BFI London, Melbourne, Sydney and Sheffield Doc/Fest. Philippa Campey’s debut feature drama GALORE premiered at Berlinale 2014, as did TIM WINTON’S THE TURNING, of which Philippa produced one chapter. Her documentary with Kitty Green THE FACE OF UKRAINE: CASTING OKSANA BAIUL won the Short Film Jury Prize at Sundance 2015 and her debut short CLARA won the Jury Special Mention in Cannes 2005.
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